by Frank O’Donnell

Equus is the Latin word for horse, and “Equus” is the story about a boy who loves horses.

Alan Strang (Rico Lanni) has a funny way of demonstrating his love, and the 17-year-old is dispatched to a hospital for disturbed children after blinding six horses with a metal spike.

He’s treated by Martin Dysart (Eric Behr), the psychiatrist described as the “only one who can handle” Alan. As the two dive deep into why Alan did what he did, we’re treated to a tour de force performance by a stellar cast exploring religion, psychology and sexuality.

Director Kira Hawkridge puts her trademark stamp on the production, involving dancelike movement by the entire cast. Scenes shift seamlessly with only chairs as set pieces. Staged in the round, the players utilize the entire theater space.

Alan’s fascination with Nugget, his favorite horse, evolves into a personal theology. Along the way, Alan turns the tables on Dysart, forcing introspection and self-doubt.

Written in 1973, Peter Shaffer’s play still holds up very well today. The dialogue and action is crisp, and delivered expertly.

 [Epic Theatre Company presents “Equus” at Theatre 82 on Rolfe Street in Cranston through June 11. For tickets and information, visit www.artists-exchange.org. In the interest of full disclosure, there is some nudity in the play. ]